Dead Ever After Spoilers – Prologue Now Online

April 24, 2013 in Book Spoilers, Dead Ever After - Book 13, Sookie Stackhouse

With less than two weeks to go, I’d pretty much given up hope that the publisher might see sense and release something….ANYTHING…to generate some buzz for this damn book.

It seems the marketing department have finally realised that keeping it in a dusty box under the bed probably won’t cut it. Penguin have released Dead Ever After’s prologue on their official site, and it’s kind of juicy.


So it seems we have the set up for a good versus evil showdown of epic proportions in the pipeline.

  • Cope Carmichael (Amelia’s father) and Tyrese have sold their souls to a devil for a questionable price.
  • Mr Cataliades is all over “Just call me Cope” like white on rice.
  • It’s highly likely that Cope’s rage at not obtaining the cluveil dor before Sookie used it will result in her having the crap bashed out of her…again.
  • The Devil saw fit to inhabit the body of someone “standing behind” Sookie either just before, or at the time she was using the CD on Sam. At that time, both Alcide and Eric were in her immediate proximity. Now I’m wondering who else has “sold their soul”…Alcide….cough.
  • Steve Newlin is off sunning himself on the beach somewhere, lamenting opportunities lost when he’s approached by a man who fits the physical description of Johan Glassport – Sophie-Anne’s lawyer from All Together Dead. Glassport specialised in vampire law. Cast your mind back, and you’ll recall that Mr Glassport was seriously injured in Steve Newlin’s bombing of the hotel in Rhodes – and swore to exact revenge. Now he’s accosting an unsuspecting Newlin on a beach. Chew that over for a bit.
  • Amelia has once again proven that she has a yap-hole the size of the Grand Canyon, and is not to be trusted for any reason whatsoever. She MUST be the Crappiest Friend, Ever.
  • This Devil is all up on Sookie – he knows who she is, and finds her “interesting”. Just add the devil to an endless list of supes who can’t seem to resist the charms of everyone’s favourite telepathic waitress
  • Crossroads are mentioned as preferred meeting places for the devil. This adds some clarity to the frequent references in earlier books to a crossroads existing outside Hot Shot.

There’s quite a bit to digest here, for a prologue. It certainly seems like the set up for something rather awesome – what do you think?

After Dead Cover Art Released

March 29, 2013 in After Dead - The Coda

Lisa Desimini’s cover art for the “coda” book has just been released. After Dead is due out October 29, 2013, and will wrap up loose ends of all the characters in Sookie’s world in order to give the series some proper finality. Therefore it is certainly vewy vewy interesting that it sports Sookie perched happily on a gravestone, eh?


Someone’s got to do something about that poor girl’s frizz though.

Image via Eric and Sookie Lovers.

Don’t forget you can read the summary for this appendix to the series here.

Comments, thoughts, nail-biting over the end of the Sookie Stackhouse series? Sound off below!

Baby, Don’t Hurt Me…No More

February 18, 2013 in Blood Ties and Blood Bonds

As we come to the end of the road (yes, I AM trying to get as many sad song references in here as possible, I don’t have much time left!) we’ve been reflecting on the best, worst, and saddest moments we’ve shared with Sookie since Dead Until Dark.

Sookie feels like an old friend to me, as I’m sure she does to most of you. So when she hurts, we all hurt. And you gotta admit, when it comes to hurting – like everything else in her life – Sookie Stackhouse doesn’t do this stuff by halves.

To avoid finishing on a bum note, let’s start with the sad times that have defined Sookie’s character over the series, and shown us what she’s made of.


1. Sookie’s Torture (Dead and Gone)

In a bid to force Niall’s hand to close the portal between this world and Fae, Niall’s fae enemies abduct Sookie from her yard and drag her to the middle of nowhere. There, they proceed to ridicule her, bite chunks out of her, cut her with knives and razors, and have skeevy sicko sex in front of her while she screams herself hoarse and mentally prepares to die.

Yeah, it was pretty shit.

Waterworks Bit:

I  became sure I was going to die…
Two jabbed me with a sharp knife she’d just pulled from her boot, a knife that shone like her teeth. They both leaned close to me to drink in my reaction. I could only make a raspy noise. My face was crusted with tears and blood.
“Little froggy croaking,” One said.
“Listen to her. Croak, froggy. Croak for us.”

Why We Cried

The first time I read this, I cried because Sookie was subjected to such unimaginable horror. When it read it now, I cry for the Sookie who died in that Arkansas shack – the Sookie who knew there was evil in the world but until that point, had been mostly spared. The Sookie who, though naive and a little too trusting, believed that the good in the world outweighed the bad. Part of that Sookie is gone for good, and subsequent books have been pretty clear on this point.

Her torture at the hands of the fairies was Sookie’s watershed moment, and the event that hardened her views on justice and revenge forever.

2. Breaking of the Blood Bond (Dead Reckoning)

After at least a zillion pages of agonising angst over whether or not the blood bond is distorting her real feelings for Eric, Sookie takes that shit into her own hands. An impromptu magical ceremony involving red string and a bossy witch breaks the bond for good.

Waterworks Bit:

Feeling a little ridiculous and a lot scared, but sure that I needed to do this, I snipped the red yarn.
And I lost Eric. He wasn‘t there.
Amelia rolled up the cut yarn and handed it to me. To my surprise, she was smiling; she looked fierce and triumphant. I took the length of yarn automatically from her hand, all my senses stretching out to seek Eric.
I felt a rush of panic. It wasn‘t entirely pure: There was some relief mixed in, which I had expected. And there was grief.

Why We Cried

I liked the bond. I didn’t disagree with Sookie for not liking it – but the bond itself? I just liked it. I never saw it as the evil shackle that some fans, to this day, still believe it to be. I believe it was made abundantly clear in the text over many books that it wasn’t a remote control for Sookie’s feelings or actions. Of course this didn’t stop some readers from giving it far more power and importance than it deserved.

The bond was conduit for feelings that both parties would have denied and stubbornly hidden – Sookie because of past hurts and a gnawing fear that she wasn’t “enough”, and Eric because…well, because he’s just Eric. The bond was necessary to help them both over the bridge, and it served that purpose perfectly well. When Sookie broke the bond, she expects to feel relieved – but the emptiness and “grief” she also feels blindside both her, and the reader.

None of this is to say that I don’t agree with her decision to break the bond; I do. It was absolutely necessary for her to clarify her true feelings, and just as importantly, it affords both her and Eric the opportunity to freely choose to continue building on the intimacy they shared while it existed. After all, there wasn’t much free choosing going on for either of them when the bond was forged.

Thanks Andre.

3. Sookie finds out about Bill’s Mission (Definitely Dead)

Eric reveals to Sookie that her charming ex was originally sent to Bon Temps to check out her talents for the Queen. He might have revealed this important little factoid while she wasn’t half dead in a hospital bed with Bill standing right there…but you’ve gotta admit, it was rather epic as far as bomb-dropping goes.

Waterworks Bit:

I’d been blindsided with the most painful knowledge: the first man to ever say he loved me had never loved me at all. His passion had been artificial. His pursuit of me had been choreographed. I must have seemed so easy to him, so gullible, so ready for the first man who devoted a little time and effort to winning me. Winning me! The very phrase made me hurt worse. He’d never thought of me as a prize.

Why We Cried

This entire scene is absolutely gut wrenching, and it was hard to choose a short selection from it to post. Anyone who can recall the first time they were ever dumped and betrayed by a lover knows the humiliation, the hollow rage and the deep, gnawing grief that such news brings. And they know how long it takes for that to stop. Straightforward cheating is one kind of betrayal – but an entire relationship built on lies piled on top of lies? A betrayal that exposed her to dangers she had no clue about, and no hope of protecting herself against? Well, that’s douchbaggery on an entirely different level.

The entire world was pulled out from under our girl that day, and her raw and entirely human reaction is one I think most of us would recognise…and hope we never feel again. What a way to end your very first relationship.

4. Sam’s Death (Deadlocked)

During yet another revolting and barbaric ceremony designed to mete out were justice (you’d think we’d be used to these by now), innocent bystander Sam is fatally wounded by Jannalynn. Hear this, people: swords belong in the hands of huge, sexy Vikings – not batshit crazy, un-coordinated ex-girlfriends.

Waterworks Bit:

I heard someone screaming and knew it was me…Sam’s eyes were wide and desperate. He knew the severity of his wound. I started to call for Eric, so he could give Sam his blood, but as I put my hand to Sam’s neck, Sam’s pulse stopped. His eyes closed.
And everything else in the world did, too.

Why We Cried

I know, I know.  It’s Sam, for fuck’s sakes!  AND I CRIED, OKAY? I’m not really sure if I cried for Sam or Sookie, perhaps a little for both. Though Sam has been an ever-present bore character in the series, I have no emotional attachment to him, not really. Certainly not the way Sookie does. And not really caring if he lives or dies made it hard to mourn him authentically, I guess. So why does his death and resurrection make the list? Well, it’s not about me and my complete lack of interest in Sam really, is it? Sookie is rather attached to Sam, and it’s her shock and horror at losing him so brutally and unexpectedly in this scene that is utterly palpable. THAT is what I found upsetting.

Sookie Stackhouse has had more than her fair share of Kleenex moments, and these are just a few of ours. What are yours? Sound off below.

Merry Christmas! Charlaine releases Dead Ever After Endpaper

December 22, 2012 in Dead Ever After - Book 13, Eric Northman, Sookie & Eric, Sookie Stackhouse, Symbolism & Motif

As most die-hard bookies know, this is the time of year that The Maker usually drops the first chapter of the new book in our Christmas stocking.

After recent confirmation that we wouldn’t be getting a sneaky peek at the final book, Dead Ever After, we’d resigned ourselves to a lump of coal in our stocking this year.


dead ever after endpaper


This is the end paper for Dead Ever After (for those who need a quick 101, an endpaper is an illustration or design on the “blank” pages before or after the text).

Every suitor in animal form, except Eric.



UPDATE:  Sookie reader Z.C at Amazon drew our attention to another illustration by the artist, Lisa Desimini in the children’s book section of her website.  This cover is for her children’s book, “Sun and Moon – A Giant Love Story.”  The synopsis for the book describes “the common fear of being alone in the world, and the universal longing to find one’s other half.”

From the Sun and Moon title, to the layout of the artwork, to the theme of the story you must admit there are some remarkable similarities.


Dead Ever After – Synopsis for the Final Sookie?

November 16, 2012 in Dead Ever After - Book 13, Sookie Stackhouse

An astute Sookieverse reader emailed me in the dead of the night with an interesting little find from the Rising Shadow book blog. Those of you who were around last year will recall that they had the first unofficial synopsis for Deadlocked.

This synopsis is by no means official, but if past experiences serve as a guide, it’s probably more or less correct. Any changes will just give less away.

Sookie finds it easy to turn down the request of former barmaid Arlene when she wants her job back at Merlotte’s. After all, Arlene tried to have Sookie killed. But her relationship with Eric Northman is not so clearcut. He and his vampires are keeping their distance…and a cold silence. And when Sookie learns the reason why, she is devastated.

Then a shocking murder rocks Bon Temps, and Sookie is arrested for the crime.

But the evidence against Sookie is weak, and she makes bail. Investigating the killing, she’ll learn that what passes for truth in Bon Temps is only a convenient lie. What passes for justice is more spilled blood. And what passes for love is never enough…

We learned from Charlaine a few months back that Arlene would appear in the final instalment. Sookie’s being arrested would also tie in neatly with comments in that interview about Sookie’s friends rallying around and things “looking very, very bad” for her.

So…seems legit?

I know there’ll be widespread panic about Eric keeping his distance, and Sookie’s “devastation” on discovering his reasons. Sure, this is meant to look like Eric capitulated to Freyda’s demands and went through with the marriage…which is why I’m pretty sure that’s NOT what happens. You don’t sell books by being that obvious, I’m afraid. Along with the final line (which could be a veiled reference to Eric, but could also just as easily relate to Bill), I’m calling it as one big ole trollin’. Who knows, there’s still time for Bill to show his true colours. Just sayin’.

AND SOMEONE’S GONNA DIE. DUN-DUN-DUN-DHUHHHN. Any takers on that one? It feels like a major character to me.

So what do you think? Let us know below!

Image: alexanderskarsgasm

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